Information
Information
山陀兒-2024 木板/油彩 210mm×297mm
During Typhoon Krathon, one of the fiercest storms ever to strike Taiwan, I watched from my rented room in Kaohsiung as violent rain and wind transformed the world outside into a scene of overwhelming beauty. It felt like something I would never witness again, terrifying yet sublime.
Trapped indoors for two days by the storm warning, I decided to paint Krathon itself not as a visible form, but as a living current of air, revealed through the movement of rain and wind. I painted at the window, heart pounding, half in awe and half in fear. Nature’s power was both distant and intimate that day and I was grateful for the strength of the glass that let me see it.
Things in my eyes-2022 Printmaking
My Time -2025/ Mix media 91.0×72.5cm
Time feels abstract to me , it’s tender, elusive, and impossible to hold. After drifting through the turbulence of life, my sense of time has become soft, almost dissolving.
I peel Polaroid images in water and collage their fragile surfaces onto canvas, as if tracing the texture of memory itself. Each photo carries the moment I pressed the shutter. Time still reacting, still alive.
This piece remains unfinished, but perhaps that’s what time always is.
IT never complete and always becoming.
I peel Polaroid images in water and collage their fragile surfaces onto canvas, as if tracing the texture of memory itself. Each photo carries the moment I pressed the shutter. Time still reacting, still alive.
This piece remains unfinished, but perhaps that’s what time always is.
IT never complete and always becoming.